Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts

FAT AND THIN by Anton Chekhov



Two friends -- one a fat man and the other a thin man -- met at the Nikolaevsky station. The fat man had just dined in the station and his greasy lips shone like ripe cherries. He smelt of sherry and fleur d'orange. The thin man had just slipped out of the train and was laden with portmanteaus, bundles, and bandboxes. He smelt of ham and coffee grounds. A thin woman with a long chin, his wife, and a tall schoolboy with one eye screwed up came into view behind his back.
"Porfiry," cried the fat man on seeing the thin man. "Is it you? My dear fellow! How many summers, how many winters!"
"Holy saints!" cried the thin man in amazement. "Misha! The friend of my childhood! Where have you dropped from?"
The friends kissed each other three times, and gazed at each other with eyes full of tears. Both were agreeably astounded.
"My dear boy!" began the thin man after the kissing. "This is unexpected! This is a surprise! Come have a good look at me! Just as handsome as I used to be! Just as great a darling and a dandy! Good gracious me! Well, and how are you? Made your fortune? Married? I am married as you see. . . . This is my wife Luise, her maiden name was Vantsenbach . . . of the Lutheran persuasion. . . . And this is my son Nafanail, a schoolboy in the third class. This is the friend of my childhood, Nafanya. We were boys at school together!"
Nafanail thought a little and took off his cap.
"We were boys at school together," the thin man went on. "Do you remember how they used to tease you? You were nicknamed Herostratus because you burned a hole in a schoolbook with a cigarette, and I was nicknamed Ephialtes because I was fond of telling tales. Ho--ho! . . . we were children! . . . Don't be shy, Nafanya. Go nearer to him. And this is my wife, her maiden name was Vantsenbach, of the Lutheran persuasion. . . ."
Nafanail thought a little and took refuge behind his father's back.
"Well, how are you doing my friend?" the fat man asked, looking enthusiastically at his friend. "Are you in the service? What grade have you reached?"
"I am, dear boy! I have been a collegiate assessor for the last two years and I have the Stanislav. The salary is poor, but that's no great matter! The wife gives music lessons, and I go in for carving wooden cigarette cases in a private way. Capital cigarette cases! I sell them for a rouble each. If any one takes ten or more I make a reduction of course. We get along somehow. I served as a clerk, you know, and now I have been transferred here as a head clerk in the same department. I am going to serve here. And what about you? I bet you are a civil councillor by now? Eh?"
"No dear boy, go higher than that," said the fat man. "I have risen to privy councillor already . . . I have two stars."
The thin man turned pale and rigid all at once, but soon his face twisted in all directions in the broadest smile; it seemed as though sparks were flashing from his face and eyes. He squirmed, he doubled together, crumpled up. . . . His portmanteaus, bundles and cardboard boxes seemed to shrink and crumple up too. . . . His wife's long chin grew longer still; Nafanail drew himself up to attention and fastened all the buttons of his uniform.
"Your Excellency, I . . . delighted! The friend, one may say, of childhood and to have turned into such a great man! He--he!"
"Come, come!" the fat man frowned. "What's this tone for? You and I were friends as boys, and there is no need of this official obsequiousness!"
"Merciful heavens, your Excellency! What are you saying. . . ?" sniggered the thin man, wriggling more than ever. "Your Excellency's gracious attention is like refreshing manna. . . . This, your Excellency, is my son Nafanail, . . . my wife Luise, a Lutheran in a certain sense."
The fat man was about to make some protest, but the face of the thin man wore an expression of such reverence, sugariness, and mawkish respectfulness that the privy councillor was sickened. He turned away from the thin man, giving him his hand at parting.
The thin man pressed three fingers, bowed his whole body and sniggered like a Chinaman: "He--he--he!" His wife smiled. Nafanail scraped with his foot and dropped his cap. All three were agreeably overwhelmed.

NOTES
fleur d'orange: a perfume
of the Lutheran persuasion: the thin man has married well; after the Decembrist revolt of 1825 the Russian government depended heavily on its ethnic German minority, who were mostly Lutheran
Nafanail: an unusual and humorous-sounding name in Russian
third class: third grade
Herostratus: madman who in 356 BC burned the Temple of Artemis at Ephesus, one of the Seven Wonders of the World
Ephialtes: Greek who betrayed his country at Thermopylae in 480 BC
the Stanislav: the thin man has reached the 13th grade (college assessor) in the Civil Service, and has received the order of St. Stanislas
privy councillor: 3rd grade, typically reserved for very distinguished members of the Civil Service, such as ambassadors
you: the thin man has switched to the formal "you"
scraped with his foot: a sign of subservience



SHORT STORIES


SHORT STORIES
“HER LOVER”
By Maxim Gorky
Page 173

A.    Brief Biography of The Writer
Maxim Gorky 1868-1936
Also transliterated as Maxim; also Gorki and Gorki; pseudonym of Aleksey Maksimovich Pskov) Russian short story writer, novelist, dramatist, essayist, autobiographer, diarist, and poet.
INTRODUCTION
Recognized as one of the earliest and foremost exponents of socialist realism in literature, Gorky, in his brutal portraits of Russian life and sympathetic depiction of the working class, inspired the oppressed people of his native land. From 1910 until his death, Gorky was considered Russia's greatest living writer. He was likewise acclaimed in the Soviet Union as the voice of the proletariat and the model for all future writers. This was in large part due to the publication of his famous Mat' (1907; Mother), the first Russian novel to portray the factory worker as a force destined to break down the existing order. And, while Gorky is typically remembered for his Detstvo (1915; My Childhood), V liudiakh (1916; My Apprenticeship), and Moi universities (1923; My Universities), considered among the finest autobiographies in the Russian language, many scholars believe his short stories represent his most enduring literary accomplishment. In these gritty, yet romantic, tales Gorky dramatized the figure of the bosiak, a carefree vagabond, thereby introducing a new type of hero, drawn from the dispossessed masses of a slowly and painfully industrializing society at the turn of the century, into the history of Russian literature.
Biographical Information
Gorky was orphaned at the age of ten and raised by his maternal grandparents. He was often treated harshly by his grandfather, and it was from his grandmother that he received what little kindness he experienced as a child. During his thirteenth year, Gorky ran away from Nizhniy Novgorod, the city of his birth (later renamed Gorky), and lived as a tramp and vagrant, wandering from one job to the next. Frequently beaten by his employers, nearly always hungry and ill-clothed, Gorky came to know the seamy side of Russian life as few writers before him. At the age of nineteen, he attempted suicide by shooting himself in the chest. The event became the turning point in Gorky's life; his outlook changed from one of despair to one of hope. Within a few years, he began publishing stories in the provincial press. Written under the pseudonym Maxim Gorky ("Maxim the Bitter"), these stories stressed the strength and individualism of the Russian peasant. When they were collected and published in Ocherki i rasskazy (1898-99), Gorky gained recognition throughout Russia. His later volumes of stories, known collectively as Rasskazy (1900-10), along with the production of his controversial play Na dne (1902; The Lower Depths), assured his success and brought him acclaim in western Europe and the United States. Gorky's fame in the West coincided with increasing suspicion from Russian authorities, however. In 1901 he was briefly jailed for publishing the revolutionary poem "Pesnya o burevestnike" ("Song of the Stormy Petrel") in a Marxist review. Ultimately, negative reaction to his political radicalism, including his establishment of the Znanie publishing firm to provide a forum for socially conscious writers and his activities during the failed 1905 revolution, necessitated that Gorky flee into exile abroad. Allowed to return home in 1913, he resumed his revolutionary activities and actively supported the 1917 Revolution. Subsequently, he left Russia one last time and settled on the island of Capri for health reasons. In 1928, he returned to a national celebration of his literary, cultural, and moral contributions to the socialist cause, which took place on his sixtieth birthday. His death several years later, allegedly by poisoning, is still enveloped in mystery.
Major Works of Short Fiction
Gorky's short stories generally portray the subjugation of the Russian peasantry and the dismal lives of social outcasts—tramps, minor hoods, and other down-and-outers. Many of these tales, such as "Makar Chudra" and "Chelkash," are based upon actual peasant legends and folk allegories. "Makar Chudra" (Gorky's first short story, originally published in 1892) follows the brief life of Loiko Zobar, a young man who falls in love with and marries a willful gypsy woman. Rather than become enslaved to her, he stabs her. Learning of this, the gypsy's father vindicates her death by slaying his son-in-law. In "Chelkash" Gorky champions the wisdom and self-reliance of his prototypical vagabond while criticizing the brutality and pettiness of the decaying bourgeoisie. Though a thief, Grishka Chelkash honors the request of his one-time accomplice Gavrila for a share of their ill-gotten loot, even after he learns that this man had planned to kill him and seize all of the spoils. One of the most accomplished of Gorky's stories, "Dvádtsaf shest' i odná" ("Twenty-six Men and a Girl," published separately in 1902) details the pitiful lives of twenty-six bakers forced to suffer in sweatshop working conditions. In an effort to transcend this dreary existence, the men focus their attention on a lovely and innocent young seamstress, Tania. Rather than offering them moral enlightenment, Tania disappointingly succumbs to the seductive advances of a swaggering ex-soldier. Disillusioned by her lost purity, the bakers sink back to their original, degraded state. Many of Gorky's other stories also introduce topics that he was to explore more fully in his subsequent novels and plays, although critics observe that he rarely did this with an equal degree of artistic success. "Konovalov" represents such a tale by describing the life of a "superfluous man," a common figure in nineteenth- and early twentieth-century Russian literature.
Critical Reception
The first national publication of the story "Chelkash" in 1895 brought Gorky considerable notoriety. The appearance of the majority of his short fiction over the course of the next decade soon secured his position as Russia's most popular writer at the turn of the century. Later, he was hailed as the father of Soviet literature and the originator of proletarian humanism. Such laudatory titles, however, have since taken on a somewhat ironic tone as critics have reassessed Gorky's reputation, noting the limitations of his often sentimental, coarse, and careless style, seemingly motivated by ideology rather than artistry. In response, some scholars have endeavored to instead accentuate Gorky's political and social influence, while others have focused their attention on Gorky's autobiographical texts and early short stories. In these, many contend, Gorky most fully realized his artistic powers. Critics have since observed in this shorter fiction Gorky's skilled blending of romanticism, realism, and social criticism, as well as his compelling characterizations and evocations of atmosphere. In addition, though they are occasionally marred by a moralizing tone and stylistic flaws, many commentators find in these early works, and their depiction of the sordid lives of those at the bottom of society, Gorky's most artistically significant fictional accomplishment.


B.     Character interrelationship between the character and characterization.
1.      Teresa :
2.      Mr. Student:

C.    Summary
This story told about Teresa who has imaginary boyfriend because she wanted to fight her loniless. She asked Mr. Student to write letter for her and from Boles. The first time Mr. Student did not know that Boles just imaginary person, but finally he knew that she was the liar. Then some people put her in the prison and she was dead.

D.    Question and Answer

1.      Why the title named “Her Lover”?
Because this story told about Teresa’s lover, whose name Boles.  Then the author told about Teresa’s love story with him, so the author gave the title “Her Lover”.
(evi, satrio, nico)
2.       Who is actually “I” in the story, the writer itself or another person?
“ I ” in this story is refer to another person
(farouq, lely)
3.      What is the relationship between author and Teresa?
There is no relationship
(javas, koko)
4.      “ I never left my door open when I knew her to be at home”, what does the character worry about? Why did he/she do that?
I think he did that because he avoid to meet her.
(sheli, isti)
5.      Does the writer want to show something in this story sentence “ I saw her drunk, with bleary eyes, tousled hair, ...”, if it is yes what is it?
I think he wanted to show how pathetic she was.
(resti, rani)


6.      Why would Mr. Student want to write the letter to his neighbor, does he love her?
No, he write letters to her because he was just sympathy with her,
(aji&lely, Fuad&halim, gita&fitri)
7.      Why did not Mr. Student tell his feeling to Teresa?
Because Mr. Student did not love her, so that is why he did not say anything to her.
(eky, nia)
8.      The woman asked the man a letter, was she illiterate? Did she has madness or feel lonely?
She was not illiterate neither madness, but she was loneliness.
(ita, lala)
9.      What is the meaning of “thou heart of gold” in this story?
This sentence means that Boles is Teresa’s heart gold. It expressing that he is everything for her.
(javas, koko)
10.  Why he rejected Teresa’s offer in mending his shirt/trouser?
Because he felt the mastodon in petticoats had made him grow quite red with shame, then he decided to refuse her serviced because of his ashamed.
(irma , indri)
11.  Why the neighbor wanted to replay the message and what the purpose of that?
Because Teresa asked him to write another letter, then there was no purpose except helping her.
(evi, satrio, nico)
12.  Who are Boles and Teresa, what is their relationship?
·         Boles is Teresa’s imaginary boyfriend,
·         Teresa is the character who was told by the author.
In addition, they are a couple, but are not real.
(aji & lely, fuad & halim, gita&fitri)
13.  Do you think that Teresa had known Boles before she become strange? Or Boles was only her imagination?
Boles was only Teresa’s imagination boyfriend.
(sheli , isti)
14.  Why does Teresa have an imagination of “Boles”, is there any reason of it?
She invented a boyfriend “Boles” from back home, she did it because stubbornly wanted to fight her loneliness.
(resti, rani)
15.  What makes Teresa think that Boles is real?
She wanted to fight her loneliness of life by accepting this invented boyfriend as a rea
(fuad, halim)
16.  In your opinion, what will you do if you were Mr. Student will you do the same thing, help Teresa to write and replay the letters? Why?
If we were Mr. Student, we would not to write for her, because it is useless for both of them and it makes her imagination about Boles stranger.
(Nia, Eky)
17.  In your opinion, why did Teresa get herself in a prison?
·         In my first opinion, because she has lied to many people about her imaginary boyfriend. It did not happen to not only Mr. Student, but also other people around her.
·         Then my second opinion, why Teresa was put in the prison is not stated, from the word “something or other “ page 179, it has many reason.
(nia & eky, indri & irma)
18.  Did the thing that woman do by writing letter have relation when she was put in the prison?
No, because in our opinion the reason why she was put in the prison is not stated in this story.
( ita, lala)
19.  Why the writer said that no doubt by this time she is dead? What does it mean?
In my opinion, this story happened many years ago, and this time (when the writer wrote this story), he believed that Teresa was already dead.
(irma, indri)
20.   What happened with Mr. Student after Teresa is dead?
We do not know exactly, because the reason is not stated in the story, may be he felt freedom.
(grandis, henifah)
21.   “The more a human creative has tasted of bitter things the more it hunger after the sweet things of life”, what does it mean?
If someone more often feel sadness, he/she will know the meaning of happiness.
(grandis , henifah)
22.  In your opinion, is there another person who has same feeling as Teresa in real life? If it is yes, explain how it could be?
No.
(rani, resti)
23.  What is the moral value of this story?
·         We have to tell the truth, and do not be a liar.
·         We might be a good and should not allow them be lonely.
(aji & lely, fuad & halim, javas& koko)